Een korte cursus filmgeschiedenis door Martin Scorsese

Heb je even 24 minuten de tijd? Ga dan even goed zitten voor een college filmgeschiedenis door niemand minder dan Martin Scorsese.

Deze video is gebaseerd op een 4 uur durend interview met de regisseur, maar bij Flavorwire waren ze zo vriendelijk om dat in te korten tot 24 minuten. In die tijd komen de 85 favoriete films van Scorsese voorbij, voorzien van commentaar door de meester zelf.

De films uit de video zijn:

Ace in the Hole (Billy Wilder, 1951)
All That Heaven Allows (Douglas Sirk, 1955)
America, America (Elia Kazan, 1963)
An American in Paris (Vincente Minnelli, 1951)
Apocalypse Now (Francis Ford Coppola, 1979)
Arsenic and Old Lace (Frank Capra, 1944)
The Bad and the Beautiful (Vincente Minnelli, 1952)
The Band Wagon (Vincente Minnelli, 1953)
Born on the Fourth of July (Oliver Stone, 1989)
Cape Fear (J. Lee Thompson, 1962)
Cat People (Jacques Tourneur, 1942)
Caught (Max Ophüls, 1949)
Citizen Kane (Orson Welles, 1941)
The Conversation (Francis Ford Coppola, 1974)
Dial M for Murder (Alfred Hitchcock, 1954)
Do The Right Thing (Spike Lee, 1989)
Duel in the Sun (King Vidor, 1946)
Europa ’51 (Roberto Rossellini, 1952)
Faces (John Cassavetes, 1968)
The Four Horseman of the Apocalypse (Rex Ingram, 1921)
The Fall of the Roman Empire (Anthony Mann, 1964)
The Flowers of St. Francis (Roberto Rossellini, 1950)
Force of Evil (Abraham Polonsky, 1948)
Forty Guns (Samuel Fuller, 1957)
Germany Year Zero (Roberto Rossellini, 1948)
Gilda (Charles Vidor, 1946)
The Godfather (Francis Ford Coppola, 1972)
Gun Crazy (Joseph H. Lewis, 1950)
HealtH (Robert Altman, 1980)
Heaven’s Gate (Michael Cimino, 1980)
House of Wax (André De Toth, 1953)
How Green Was My Valley (John Ford, 1941)
The Hustler (Robert Rossen, 1961)
I Walk Alone (Byron Haskin, 1948)
The Infernal Cakewalk (Georges Méliès, 1903)
It Happened One Night (Frank Capra, 1934)
Jason and the Argonauts (Don Chaffey, 1960)
Julius Caesar (Joseph L. Mankiewicz, 1953)
Kansas City (Robert Altman, 1996)
Kiss Me Deadly (Robert Aldrich, 1955)
Klute (Alan J. Pakula, 1971)
La Terra Trema (Luchino Visconti, 1948)
The Lady from Shanghai (Orson Welles, 1947)
The Leopard (Luchino Visconti, 1963)
Macbeth (Orson Welles, 1948)
The Magic Box (John Boulting, 1951)
M*A*S*H (Robert Altman, 1970)
A Matter of Life and Death (aka Stairway to Heaven) (Michael Powell and Emeric Pressburger, 1946)
McCabe & Mrs. Miller (Robert Altman, 1971)
The Messiah (Roberto Rossellini, 1975)
Midnight Cowboy (John Schlesinger, 1969)
Mishima (Paul Schrader, 1985)
Mr. Deeds Goes to Town (Frank Capra, 1936)
Mr. Smith Goes to Washington (Frank Capra, 1939)
Nashville (Robert Altman, 1975)
Night and the City (Jules Dassin, 1950)
One, Two, Three (Billy Wilder, 1961)
Othello (Orson Welles, 1952)
Paisan (Roberto Rossellini, 1946)
Peeping Tom (Michael Powell, 1960)
Pickup on South Street (Samuel Fuller, 1953)
The Player (Robert Altman, 1992)
The Power and the Glory (William K. Howard, 1933)
Raw Deal (Anthony Mann, 1948)
The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
The Rise of Louis XIV (Roberto Rossellini, 1966)
The Roaring Twenties (Raoul Walsh, 1939)
Rocco and his Brothers (Roberto Rossellini, 1960)
Rome, Open City (Roberto Rossellini, 1945)
Secrets of the Soul (Vincenzo Denizot,1912)
Senso (Luchino Visconti, 1954)
Shadows (John Cassavetes, 1959)
Shock Corridor (Samuel Fuller, 1963)
Some Came Running (Vincente Minnelli, 1958)
Stagecoach (John Ford, 1939)
Stromboli (Roberto Rossellini, 1950)
Sullivan’s Travels (Preston Sturges, 1941)
Sweet Smell of Success (Alexander Mackendrick, 1957)
T-Men (Anthony Mann, 1947)
Tales of Hoffman (Michael Powell and Emeric Pressburger, 1951)
The Third Man (Carol Reed, 1949)
Touch of Evil (Orson Welles, 1958)
The Trial (Orson Welles, 1962)
Two Weeks in Another Town (Vincente Minnelli, 1962)
Voyage to Italy (aka Journey to Italy) (Roberto Rossellini, 1954)

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